The Cinematic Language of the Iranian Feminist Film
dc.contributor.author | Malekpour, Miniature | |
dc.date.accessioned | 2025-03-14T11:15:25Z | |
dc.date.available | 2025-03-14T11:15:25Z | |
dc.date.issued | 2025 | |
dc.description.abstract | Throughout history, the role of women in both public and private spheres has been a subject of scrutiny, particularly in relation to their involvement in political and social movements. Iranian cinema, which has undergone various phases including the Film-Farsi Era, the New-Wave Movement, and the Sacred defence cinema Era, has yet to officially acknowledge the existence of a 'Feminist Film'. This reluctance can be attributed to the industry's apprehension towards women's sexuality and presence. However, the Reformist Period and the subsequent Social Justice Period have witnessed a shift in the portrayal of women, paving the way for the emergence of a distinct genre that explores feminist themes and perspectives within Iranian cinema. This thesis aims to investigate the impact of feminist discourse, Western and Islamic, feminine consciousness, and gender identity on Iranian cinema, specifically focusing on the concept of creating a movement coined as the 'Iranian feminist film'. By analysing how filmmakers have navigated the constraints of an authoritarian state, this research seeks to understand how Iranian feminist films have played a role in empowering women and reshaping their identities. Through the development of a unique cinematic language and technique, these films have elevated the female voice and body from a position of invisibility to a state of visibility and agency. One of the key contributions of this study lies in its exploration of the intersection between gender dynamics in Iranian society and the technical aspects of filmmaking. By delving into the historical context of Iranian women's experiences with their bodies, sexuality, and individuality, this research sheds light on how Iranian feminist film has not only challenged traditional gender norms but also pushed the boundaries of cinematic expression. Through this analysis, a deeper understanding of the transformative power of film in shaping perceptions of gender equality and identity in Iranian society emerges. | |
dc.identifier.uri | https://hdl.handle.net/1885/733739555 | |
dc.language.iso | en_AU | |
dc.provenance | Restriction was approved until 2030-05-05 | |
dc.title | The Cinematic Language of the Iranian Feminist Film | |
dc.type | Thesis (PhD) | |
local.contributor.supervisor | Taheri, Zahra | |
local.description.embargo | 2030-05-05 | |
local.identifier.doi | 10.25911/RRTF-JY70 | |
local.identifier.orcid | 0000-0002-8294-4093 | |
local.identifier.proquest | Yes | |
local.mintdoi | mint | |
local.thesisANUonly.author | 000ddd58-7567-4227-8441-f0823149513e | |
local.thesisANUonly.key | 9180afab-ac52-030f-58d2-628a6ff9f5d9 | |
local.thesisANUonly.title | 000000020115_TC_2 |
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